We are pleased to welcome Nate Currin back to the Rear Window!

With over 650,000 miles driven and well over 800 shows performed over the last 12 years, Nate Currin is a troubadour in every sense of the word. With his roots in the North Georgia clay, Nate has enough of the South in his voice and writing to show off his upbringing but he includes an emotional trustworthiness that can't be faked. Having shared the stage with plenty of "big" names and had songs featured on a myriad of television shows, Nate retains his enigmatic drive to fly under the radar from time to time.

Nate's journey is all about chasing after the genuine human connection, one fan and one song at a time. Having spent years performing in listening venues, ticketed clubs and living rooms all across the country, Nate moved into a motorhome for a 4 year stretch and lived the real life of a rambling man. And he's got the stories to back it up.

Over the last 5 years he has won 5 International Music & Entertainment Awards, including Songwriter of the Year twice and been nominated for Indie Music Awards as well as a Georgia Music Award.

In addition to that, several of Nate's albums have reached the top 20 charts on iTunes including his most recent release The Madman and the Poet. Currently Nate is preparing to release his 5th full-length studio album, entitled Ashes & Earth.

The album reunites Nate with long-time producers and friends, Dan Hannon (Manchester Orchestra) and Simon Illa for several songs, but the bulk of the record was recorded in Nates hometown of Gainesville, Georgia with Nates long-time drummer Jon Poole at his working location: Track Side Studios.

Ashes-&-Earth-FINAL.jpg I STRONGLY FEEL THAT NATE CURRIN IS THE MOST REFRESHING TALENT I'VE HEARD SINCE I LEFT RADIO IN 2008 - HIS MUSIC BLEW ME AWAY! HE WRITES AND PERFORMS WITH BRILLIANCE. - Rhubarb Jones 3 time national disc jockey of the year, Voted one of the most influential radio personalities of the last century www.natecurrin.com

MENU: To be announced

Doors Open for Dinner at 7pm Show begins at 8pm

Dinner & Show Tickets - $27 Show Only Tickets - $15

Daphne du Maurier’s short story, also the basis for Alfred Hitchcock’s classic film, is boldly adapted by Conor McPherson—a gripping, unsettling, and moving look at human relationships in the face of societal collapse.

In an isolated house, strangers Nat and Diane take shelter from relentless masses of attacking birds. They find relative sanctuary but not comfort or peace; there’s no electricity, little food, and a nearby neighbor may still be alive and watching them. Another refugee, the young and attractive Julia, arrives with some news of the outside world, but her presence also brings discord. Their survival becomes even more doubtful when paranoia takes hold of the makeshift fortress—an internal threat to match that of the birds outside.

“Deliciously chilling…spring-loaded with tension…claustrophobic, questioning, frightening; and with a twist.” —Irish Independent.

“Never has [McPherson] been more in control…he keeps us on the edge of our seat.” —The Irish Times.

“[THE BIRDS] was a powerful piece of theatre and a reminder to me of just how important that story has become…truly frightening…a night in the theatre that should not be missed.” —Tippi Hedren, star of the 1961 Alfred Hitchcock film, The Birds.

Daphne du Maurier’s short story, also the basis for Alfred Hitchcock’s classic film, is boldly adapted by Conor McPherson—a gripping, unsettling, and moving look at human relationships in the face of societal collapse.

In an isolated house, strangers Nat and Diane take shelter from relentless masses of attacking birds. They find relative sanctuary but not comfort or peace; there’s no electricity, little food, and a nearby neighbor may still be alive and watching them. Another refugee, the young and attractive Julia, arrives with some news of the outside world, but her presence also brings discord. Their survival becomes even more doubtful when paranoia takes hold of the makeshift fortress—an internal threat to match that of the birds outside.

“Deliciously chilling…spring-loaded with tension…claustrophobic, questioning, frightening; and with a twist.” —Irish Independent.

“Never has [McPherson] been more in control…he keeps us on the edge of our seat.” —The Irish Times.

“[THE BIRDS] was a powerful piece of theatre and a reminder to me of just how important that story has become…truly frightening…a night in the theatre that should not be missed.” —Tippi Hedren, star of the 1961 Alfred Hitchcock film, The Birds.

Daphne du Maurier’s short story, also the basis for Alfred Hitchcock’s classic film, is boldly adapted by Conor McPherson—a gripping, unsettling, and moving look at human relationships in the face of societal collapse.

In an isolated house, strangers Nat and Diane take shelter from relentless masses of attacking birds. They find relative sanctuary but not comfort or peace; there’s no electricity, little food, and a nearby neighbor may still be alive and watching them. Another refugee, the young and attractive Julia, arrives with some news of the outside world, but her presence also brings discord. Their survival becomes even more doubtful when paranoia takes hold of the makeshift fortress—an internal threat to match that of the birds outside.

“Deliciously chilling…spring-loaded with tension…claustrophobic, questioning, frightening; and with a twist.” —Irish Independent.

“Never has [McPherson] been more in control…he keeps us on the edge of our seat.” —The Irish Times.

“[THE BIRDS] was a powerful piece of theatre and a reminder to me of just how important that story has become…truly frightening…a night in the theatre that should not be missed.” —Tippi Hedren, star of the 1961 Alfred Hitchcock film, The Birds.

Daphne du Maurier’s short story, also the basis for Alfred Hitchcock’s classic film, is boldly adapted by Conor McPherson—a gripping, unsettling, and moving look at human relationships in the face of societal collapse.

In an isolated house, strangers Nat and Diane take shelter from relentless masses of attacking birds. They find relative sanctuary but not comfort or peace; there’s no electricity, little food, and a nearby neighbor may still be alive and watching them. Another refugee, the young and attractive Julia, arrives with some news of the outside world, but her presence also brings discord. Their survival becomes even more doubtful when paranoia takes hold of the makeshift fortress—an internal threat to match that of the birds outside.

“Deliciously chilling…spring-loaded with tension…claustrophobic, questioning, frightening; and with a twist.” —Irish Independent.

“Never has [McPherson] been more in control…he keeps us on the edge of our seat.” —The Irish Times.

“[THE BIRDS] was a powerful piece of theatre and a reminder to me of just how important that story has become…truly frightening…a night in the theatre that should not be missed.” —Tippi Hedren, star of the 1961 Alfred Hitchcock film, The Birds.

We are excited to welcome back Abbie Gardner (of Red Molly) to the Rear Window!

Abbie Gardner, the fiery Dobro player with an infectious smile has been touring with Americana darlings Red Molly for the past eleven years. After gracing stages from Denver to Denmark, from Australia to Austin, the band decided to take an indefinite hiatus in 2015, so Abbie began performing solo, just her voice, songs and dobro.

"Abbie Gardner shows her prodigious writing chops in her album, Hope. Tales of love and loss, both gritty and sweet, ride the back of her by-now familiar, formidable slide guitar licks. She channels Lucinda and Bonnie, but remains pure Abbie."

— Richard Cuccaro, Publisher, Acoustic Live

Her background is as varied as the songs she writes. Abbie has listened to the sweet sound of high lonesome harmonies since her first bluegrass festival at the age of three. Her father, Herb Gardner, is a swing jazz and stride pianist and dixieland trombonist. Watching him laugh as he went off to "work" every day was her first introduction to the joy of being a musician. Abbie's first full-length recording, My Craziest Dream (2004) is an album of jazz standards featuring her father on piano. It earned her an entry in the 2009 Hal Leonard book "The Jazz Singers: The Ultimate Guide." Abbie studied classical flute growing up, but once she started playing Dobro in 2004 she found her main instrument. She traveled to Lyons, CO and Nashville, TN to study with Rob Ickes and Sally Van Meter. Always keen on following the vocal part and trying to find the one really perfect note, instead of a dozen okay ones, Abbie is quickly compiling an extensive discography of recording credits. Her own CDs include Honey on My Grave (2006), Bad Nights/Better Days (2008, with Anthony da Costa), and Hope (2011), which features three different kinds of slide guitar (dobro, lap steel and National bottleneck). Abbie has been recognized as an award-winning songwriter, with such accolades as; 2006 Rocky Mountain Folks Festival Songwriter Showcase (2nd place), 2008 Lennon Award Winner (folk) for "The Mind of a Soldier" and 2008 American Songwriter Magazine Grand Prize Lyric Winner for "I'd Rather Be." "The Mind of a Soldier" was also featured on Lufthansa Airlines in 2010. Abbie has had the honor of being part of the songwriting faculty at Swannanoa Gatherings (2010, 2011) and Ellis Paul's New England Songwriters Retreat (2017, 2018). In 2018, she taught Dobro at both the Targhee Music Camp and the Nashville Dobro Camp. She wrote and released a song per week for a year as part of the 2013 Real Women Real Songs project and continues to attend Jack Hardy’s Monday night Songwriter’s Exchange in NYC to hone her writing skills.

Her live show is truly unique - as both an award winning songwriter and interpreter of folk styles, a captivating vocalist, and a world class lap style dobro player, she has an unmistakable sound all her own. Her latest CD, Wishes on a Neon Sign was released in January 2018, and features twelve original songs, including a co-write with Chris Stapleton and another with David Olney. She has opened for Lori McKenna, Hot Rize and Martina McBride. And premiered her latest video, a live solo dobro arrangement of "Afraid of Love" on The Bluegrass Situation. www.abbiegardner.com

MENU: To be announced

Doors Open for Dinner at 7pm Show begins at 8pm

Dinner & Show Tickets - $32 Show Only Tickets - $20

Ganado Townhall Players is pleased to welcome playwright Patrick McLaughlin of Victoria as our guest director for this production of his original play.

As a robbery in a small town mini-bank goes awry, bank teller Jannelle Brewster discovers that she shares a very complicated past with the would-be robber. After turning the tables on the robber and unmasking him, she recognizes him as Bobby, her high school crush and the boy who stood her up at the prom thirty years ago.As Jannelle takes her new hostage on a trip down memory lane, it becomes clear that she has unresolved issues with their past. She wants closure. She wants answers. Most of all, she wants her prom. But after thirty years and with the police closing in, Bobby can’t take her to the prom now. Or can he? One thing is certain. Jannelle is not leaving until she finds out.

Ganado Townhall Players is pleased to welcome playwright Patrick McLaughlin of Victoria as our guest director for this production of his original play.

As a robbery in a small town mini-bank goes awry, bank teller Jannelle Brewster discovers that she shares a very complicated past with the would-be robber. After turning the tables on the robber and unmasking him, she recognizes him as Bobby, her high school crush and the boy who stood her up at the prom thirty years ago.As Jannelle takes her new hostage on a trip down memory lane, it becomes clear that she has unresolved issues with their past. She wants closure. She wants answers. Most of all, she wants her prom. But after thirty years and with the police closing in, Bobby can’t take her to the prom now. Or can he? One thing is certain. Jannelle is not leaving until she finds out.

Ganado Townhall Players is pleased to welcome playwright Patrick McLaughlin of Victoria as our guest director for this production of his original play.

As a robbery in a small town mini-bank goes awry, bank teller Jannelle Brewster discovers that she shares a very complicated past with the would-be robber. After turning the tables on the robber and unmasking him, she recognizes him as Bobby, her high school crush and the boy who stood her up at the prom thirty years ago.As Jannelle takes her new hostage on a trip down memory lane, it becomes clear that she has unresolved issues with their past. She wants closure. She wants answers. Most of all, she wants her prom. But after thirty years and with the police closing in, Bobby can’t take her to the prom now. Or can he? One thing is certain. Jannelle is not leaving until she finds out.

Ganado Townhall Players is pleased to welcome playwright Patrick McLaughlin of Victoria as our guest director for this production of his original play.

As a robbery in a small town mini-bank goes awry, bank teller Jannelle Brewster discovers that she shares a very complicated past with the would-be robber. After turning the tables on the robber and unmasking him, she recognizes him as Bobby, her high school crush and the boy who stood her up at the prom thirty years ago.As Jannelle takes her new hostage on a trip down memory lane, it becomes clear that she has unresolved issues with their past. She wants closure. She wants answers. Most of all, she wants her prom. But after thirty years and with the police closing in, Bobby can’t take her to the prom now. Or can he? One thing is certain. Jannelle is not leaving until she finds out.