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Jun11

Susan Gibson

Saturday, June 11, 2011 @ 7:30PMSat, Jun 11, 2011 @ 7:30PM

Rear Window Listening Room, 107 East Menefee Street, Ganado, Texas

Please take a minute or two to read through her remarkable bio, but before you do, I would just like to say; not only can Susan Gibson craft a beautiful song, she can also Sing AND Play! I truly look forward to hearing her music, as well as stories of her adventures. You just can't help but love her new and just released CD, "Tightrope." Please come on over to the Rear Window & spend the evening with Susan as she takes us on a musical journey!

Susan’s Official Website: http://www.susangibson.com
Susan Gibson Facebook: http://www.facebook.com/susannng
Susan Gibson Twitter: http://twitter.com/susannng

Some videos of songs from Susan’s new album TightRope...

Evergreen: http://vimeo.com/20009157
The Wood Wouldn’t Burn: http://vimeo.com/19874097
Happy With Nothing: http://vimeo.com/19757317
Passin’ Thru: http://vimeo.com/19720326

SUSAN GIBSON
This past year has been a testament to the long-held assertion that Susan Gibson is a road warrior in the truest sense in addition to being a dedicated singer, songwriter, and performing musician. The CMA award-winning songwriter (the Dixie Chicks took the Gibson-penned “Wide Open Spaces” to the top for four weeks) has been hitting the road consistently over the past 14 years, touring nationally in support of her own brand of Texas-Americana-folk music.

However, 2010 started off as the year where the road unexpectedly hit her back, and in February she suffered a severely broken arm, dislocated elbow, and shattered wrist in a car accident. Doctors estimated she wouldn’t be playing guitar until early fall, and her record release plans were put on hold indefinitely. Road warriors don’t sit around for too long when their livelihood involves playing music and traveling, however, and Gibson was playing full shows a mere two-and-a-half months after the accident with the help of some physical therapy, fan support, and a lot of determination. The latter half of 2010 made up for lost time with two tours to the northern Rocky Mountain region, a Southeast tour, and her well-worn paths across Texas.

Gibson’s 2011 release, Tightrope, is both right at home with and a departure from her previous albums. While the album was recorded before her accident, the mood and tone are fitting of a year spent in reflection. Gibson and producer Gabe Rhodes are the sole musicians on Tightrope, which manages to be beautiful in its sparseness, easily accessible yet full of sophisticated notes for those who take a careful listen. A pencil eraser on a cigar box for percussion, a plucked grand piano string, or a dobro with a neck so warped it isn’t a dobro anymore; these elements create an intimate album that only two creative minds sitting in a studio together for days at a time can create.

The songs themselves are tried and true Susan Gibson, whose craftsmanship in songwriting has made her one of the most respected artists in the Texas scene and beyond. Tightrope features co-writers that run the gamut from established songwriters like Michael Hearne, Monica Smart (“Evergreen” and “Never Enough”), and Jana Pochop (“Lovely When You Cry”) to first time writers but longtime friends Amy Patton, Michelle Moss, and Marian Brackney (“Hope Diamond”), proving that Gibson draws inspiration from many creative stimuli. From a powerful narrative about a guitar and the lives it touched (“The Wood Wouldn’t Burn”) to the assertive and fiercely independent title track, Gibson continues to affirm her place on the list of troubadour songwriters who have an innate need to affect the lives of their fellow humans through song.

While the road literally stopped Gibson in her tire tracks last year, it also gave the motivation to heal and is now the means to bring Tightrope to an audience. Gibson plans to debut it in Texas and beyond with a series of Spring album release dates as well as with an official showcase at the 2011 Folk Alliance Conference in Memphis.

If you want to make this a "home run," then come early for a masterfully cooked & catered dinner by Lori Tegeler of the Ganado Cafe. For dinner ticket holders, the doors open at 6:30. For Show Only ticket holders, doors open at 7:00.

Please note: This is a true listening room environment, and people come here because they know they will be able to learn about the artists and hear their songs. That said ... before the show begins, and during the break, we encourage our patrons to get up & stretch, meet people and converse away. This is also the perfect time to do rest room duties and get drinks, etc. However, once the artists take the stage, we ask for a seated and silent audience. This is what allows us to really get to know the performer and truly hear their music. If you arrive after the show begins and you hear music, we ask that you wait until the song ends before you come in. These simple rules help make for a great evening for the entire audience. Oh ... by the way ... if the performer invites you to interact, feel free to participate, but once they are into a song ... back to quiet, please. We thank you in advance for your consideration & cooperation.

Tickets available online now at http://www.brownpapertickets.com/event/168534

Tickets will be available on Monday, April 4th at Ganado Cafe

$15.00 Show Only or $24.00 Dinner & Show Age limit: 18+ or w/adult

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Susan Gibson @ Rear Window Listening Room on Jun 11, 7:30PM

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